Keeping The Beat Alive Part 2: The Two Trying-Hards and The Battle of the Bands
Still, I was in a quandary, for in my wish to have my own band, I had to scour for others to complete a decent lineup. I couldn’t imagine playing all by myself (that would be utterly daft and incredulous, not to mention downright embarrassing). I was also not yet particular on what kind of music I wanted to play, but I knew the urge was there to have a band. So I tried to continue jamming with my pals, but eventually, getting nowhere with what we were playing. It seemed that they had just a trivial interest on the band thing, and I was still yearning for more than just fooling around with the instruments.
Then one day, Jojo, who was the bass player and a childhood friend of mine, lent me a cassette tape of a band he really fancied. It was Nirvana’s Nevermind LP, and he told me that it was an amazing album. And as soon as I put it on my brother’s stereo component (I didn’t have my own then) and heard the first track (which was the infamous “Smells Like Teen Spirit”), I was totally blown away. BLAM! The floodgates suddenly opened out of nowhere. Right then and there I told myself that I wanted to have a band playing that kind of kick-ass music. I immediately went to Jojo the next day to reveal my newly found euphoria, and he told me that he knew someone who could probably share my blissful Nirvana experience. I insisted on knowing that someone and, at once, he hooked me up with an acquaintance named Chris. He was into Nirvana and was also a good guitar player. After a couple of times hanging out together and professing our fondness for Nirvana, the three of us ended up forming a band, sloppily and shamelessly jamming out various Nirvana songs like “Breed”, “In Bloom”, “Come As You Are”, “Love Buzz”, “Lithium”, and “Territorial Pissings”. We tried hard to ape Nirvana (pun not intended) with Chris on guitars and reluctant vocals, Jojo on bass, and me on drums. I was really banging the shit out of the kit, imagining being Dave Grohl (Nirvana’s drummer extraordinaire) and having the best time of my life. But though it appeared to be an absolute thing already, the band (which hadn’t named yet) eventually broke up because Jojo wasn’t really determined to play (choosing to join his other pals in indulging their drag car and scooter races). Chris and I had no choice but to continue on and started to look for a new bass player.
After a few weeks, Chris enlisted his cousin Jeff to do the vocal duties, and another acquaintance named Luther to man the bass. We jammed a few times, doing a variety of covers, but mostly sticking with Wolfgang songs because Jeff’s voice was quite similar to Basti Artadi’s raspy wails. We had our first gig at a birthday party for Luther’s cousin, and like all band’s first gigs, we sucked. After playing a grand total of three songs (Rivermaya’s “Kisapmata”, Wolfgang’s “Halik Ni Hudas” and “Darkness Fell”), we were grasping for other tunes to play. We either ended up doing short pieces of songs or long noise jams (with me still beating the hell out of the poor silver drumkit). It was mortifying, to say the least. Subsequently, the band didn’t last long as Jeff left to migrate to Florida and Luther lost his desire to play. Chris and I were again groping in the dark. We persisted on forming yet another band, continuously searching for at least a bassist. But alas, after weeks of looking, we couldn’t find anybody. The two of us would just jam at a shoddy studio (owned by Ka Rolly, a former Maria Cafra drummer), which had a double bass drum kit (but had only one playable bass drum and dextrose poles as makeshift cymbal stands). There were countless times when I broke something on the ragtag kit, whether it was the tom drumheads, the bass pedal, or the already cracked cymbals. I was then into my full Dave Grohl mode, which meant, “hit as hard as you can”. I would watch Chris just shake his head in utter disbelief and complain that his ears hurt because of the volume of the drums. But I didn’t care, maybe because I was desperate to play. Or maybe because I knew it may be my last time to play. I was aware that we were still going nowhere and that we would never have a decent band.
As I went back into the seminary during my third year high school, I found myself excited on the prospect of being included in the seminary band because aside from having a seemingly substantial amount of “experience” as a drummer, my classmate who drummed in the band suddenly wanted to play the lead guitar (the erstwhile lead guitarist was kicked out because of academic problems). I thought I would be the one who would replace him. Unfortunately, the remaining band members chose another one, a second year guy who they felt was more able. I was really disappointed since I lost the chance to play the drums in the seminary. And so every time the band would play, I felt envious. But I realized that since I was into a heavier kind of music, I would never get the opportunity to join them anyway (sourgraping!). As the year passed by, I just hung out with Chris during my short vacations and continued playing Nirvana, Smashing Pumpkins, and other grunge tunes. I was also the time when I started my musical odyssey, listening to every bit of rock, punk, indie, alternative, and metal bands like Black Sabbath, Megadeth, Soundgarden, Pavement, Mudhoney, Pearl Jam, Oasis, Presidents of the United States of America, Alanis Morrisette, Beastie Boys, Ash, Teeth, The Youth, White Zombie, Metallica, Silverchair, Green Day, Gin Blossoms, Foo Fighters, and Bush (just to name quite a few…). Then, when I reached my fourth year in high school, I was surprised on being the drummer for the seminary band (this was after most of the former band members either graduated or were kicked out…lucky me, huh?). Still, I made the most out of it and I got to play on the various programs within the school year.
Following my graduation from high school, I entered the college seminary. Since I knew there was also a college band, I was eager to join it. However, there was still an incumbent drummer (who was a bit of a selfish SOB), so I didn’t bother on auditioning anymore. I just made myself content on jamming with Chris during weekends, yet again trying to form our own band. I had a startling break on my second year, as some my classmates (who were competent musicians) wanted to form a band from our class. We eventually created a 6-piece band (a vocalist, 3 guitarists, a keyboardist, and a drummer) and we performed at a Family Day program. Although it was short-lived, I still had the chance to practice my “chops” in a different kind of music (mostly new wave and radio-friendly alternative rock music).
It was also the time when the so-called rap metal rage was brewing. I bought a copy of Korn’s second LP, Life is Peachy, and while most of the folks were either into boy bands or pseudo-grunge/alternative rock, I was discovering the groove-laden, rap-driven, and chord-twisted sounds of Korn, Limp Bizkit, and Coal Chamber. And because I was more of a “meat and potatoes” kind of drummer, I gradually became fond of pounding out bouncing grooves which Chris found smashing. Although it was also a bit of a stretch since some of the drum parts were too technical and hard for me, I persevered in learning some of it through constant air drumming with the songs. And one day, Chris told me he knew of a potential vocalist who liked the new sounds that we were digging into. He introduced me to RV, who to my surprised recognition was an elementary classmate of mine. We hit it off immediately and began to listen to various “nü-metal” tunes while hanging out and drinking beer or gin. We knew we wanted to form a band with riff-crazy and backbeat-heavy tunes, but we still need a decent bassist. So, I enlisted a guy named Brian, who was an amazing bass player (slapping and funky notes included) and a seminarian (a year behind me). I also got to enlist 2 additional guitarists: Anthony, a former bass player who played amazing lead guitar licks, and Ed, a projected keyboardist who eventually chose to play guitars. After much ado and familiarization, we all jammed together in a modest studio in Malolos, spewing out covers of Limp Bizkit’s “Faith” and “Jump Around”, Korn’s “Freak On A Leash”, and Sandwich’s “Butterfly Carnival” and “Maybe”. We felt a really good vibe while jamming that we felt we were already set as a band (naming ourselves Sinister Karma, which I duly suggested) and we decided to join an upcoming Battle of the Bands at a nearby town. I was a bit nervous and anxious though. Although I had watched a couple of those band competitions, it was my first time to actually participate in those types of production. I felt my playing would be scrutinized and, knowing that I was an unschooled drummer, I would be laughed at by other seasoned drummers. Nevertheless, I just thought of playing, having fun, and letting the music speak for itself. We practiced hard almost every other day (which was stressful both physically and financially). When the appointed day came, we were very frenzied performing on such a big event (even if the crowd in attendance were mostly old people just curious to see an organized event in their “backwater” barrio). As we were almost at the bottom of the list of bands to perform, we got to watch other bands play. We immediately noticed that most of them played radio-friendly or über-technical tunes that showcased their musical abilities to the fullest while entertaining the crowd and judges. We knew we were roast beef, but we still waited for our turn, hoping to at least perform in front of a decent crowd (well, it was a loooong wait for sure… from 9pm to 2am!). When our turn came, we expected a passable performance at the least. Instead, we bombed. Guitar mistakes here and there, an overzealous stage presence, an imbalance sound, and a shaky drumming all contributed to a frantic two-song tornado that blew everyone away (as in everyone seemed to move as far away from us as possible). It was disappointing. But even if we were sort of disheartened after that event, we still wanted to try another shot. And we did have another shot.
A year and much practice later, we were able to join another Battle of the Bands. This time, there were only the four of us left (Chris, RV, Anthony, and me) because the other two members were not available anymore due to various “extracurricular” commitments. Chris was forced to man the bass, and we thought we could either have a repeat of last year’s disgrace or have a respectable showing. But then, after a blazing and honest round of Korn’s “Falling Away From Me” and “Freak On A Leash”, and Limp Bizkit’s “Nookie” and “Faith”, we were dumbfounded to learn that we won the third prize! It was a big surprise for us, considering that we had a depleted lineup and a pessimistic view of the whole competition process. Maybe because we were more confident this time around, that our sound and performance duly improved. Later, we went home a few bucks (read: Php500) richer and a lot of dreams bigger. I knew that I needed to improve my drumming further so that we could eventually progress from doing covers to making our own songs.
(to be continued…)
[Note: I know, I know… you’re wondering why it’s not yet finished. It is simply because the entry became a bit lengthier than what I initially expected it to be. It has become a three-part entry, I guess. I duly apologize for it, and I thank your never-ending patience to actually still read this seemingly irrelevant and worthless piece… it may serve a certain purpose, for all you know. Please, please do wait for the final installment Thanks!—Yusaku Godai]
